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Opening Night

Two Midnighters

The Daily

Jan 26, 2023 With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.

Jan 3, 2023 A work of pure, rigorous enchantment, the final film in Terry Gilliam’s “Trilogy of Imagination” employs old-fashioned technical wizardry to bring about its wall-to-wall visual astonishments.

Dec 29, 2022 From deeply researched surveys of great filmmakers’ careers to idiosyncratic takes on under-examined corners of cinema history, the writing we published this year offered an array of entry points into the art form we all love.

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

Sep 28, 2022 Vicky Krieps stars in an irreverent reimagining of a year or so in the life of Empress Elisabeth of Austria.

Aug 23, 2022 With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.

Aug 16, 2022 The Safdie brothers drew inspiration from their childhood memories for their first feature as codirectors, a terrifying yet wondrous portrait of an unpredictable father.

Jul 1, 2022 Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.

Feb 28, 2022 Rendez-Vous with French Cinema brings César winners and Arnaud Desplechin programs a series for FIAF.

Feb 10, 2022 The heads of each section discuss the highlights and themes of their selections.

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