The Criterion Collection
The Daily
Mar 10, 2026 — Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.
The Daily
Mar 6, 2026 — Jonathan Rosenbaum returns to the Reader, there’s a new Cineaste, plus: Hiroshi Shimizu, John Akomfrah, and Robert Vas.
The Daily
Feb 25, 2026 — A survey of Black cinema and memories of watching movies with John Ashbery are among this month’s highlights.
The Daily
Feb 17, 2026 — Clint Bentley’s Train Dreams was the big winner at this year’s Film Independent Spirit Awards.
Essays
Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.
The Daily
Jan 29, 2026 — Critics have taken a liking to the new films from Olivia Wilde, Padraic McKinley, and John Wilson.
Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.
The Daily
Jan 26, 2026 — The new year brings an ode to Judy Garland, conversations with Martin Scorsese, and a novel by John Sayles.
On the Channel
Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.
Essays
Jan 20, 2026 — The constant negotiation of routine pleasure and profound sorrow—the experience of being human—is at the heart of John Huston’s final film, an exquisite adaptation of James Joyce’s classic short story.