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Life Is Beautiful

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

Jun 19, 2013 Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.

Whit Stillman Is Back

Short Takes

Mar 29, 2011 Attention, all debutantes, disco lovers, and urban haute bourgeoisie: the first film in well over a decade from Whit Stillman—whose comedies of manners Metropolitan and The Last Days of Disco are available from the Criterion Collection, and who discusses his...

Dec 30, 2008 It’s the last day of 2008, and all the balloting is finally done. Here’s a rundown of how Criterion rated in the best DVDs of the year polls: The Sight & Sound list included Criterion’s “gripping morality tale” Death of...

Feb 22, 2009 “Let me have men about me that are fat.” —Julius Caesar, act 1, scene 2 Just as Raymond Chandler’s Philip Marlowe admired small, brave men who stick to their principles, I like—in the movies at least—heavyset, flamboyant types who walk...

Jul 22, 2026 The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Jul 17, 2026 Some early reviews raise a few objections, but for the most part, Nolan is wowing critics with his grandest vision yet.

Jul 2, 2026 I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...

Oct 28, 2025 An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.

Nov 26, 2024 In this tragicomic road movie about a Bible-selling con man and his precocious young charge, Peter Bogdanovich brings Depression-era America to vivid life without sentimentality or nostalgia.

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