The Criterion Collection
Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.
The Daily
Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.
The Daily
Jul 23, 2018 — Venice will present a lifetime achievement award to Vanessa Redgrave, and Venice Days announces its lineup.
On the Channel
Jul 19, 2018 — Can art change the world? That’s the question that has propelled writer-director Mira Nair down the various paths she’s taken as an artist, from her early explorations of stage acting and photography to her success with such films as Monsoon...
The Daily
Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.
The Daily
Jul 12, 2018 — Hong Sangsoo, Bruno Dumont, and Radu Muntean are among the filmmakers premiering new work at the seventy-first edition.
Jul 10, 2018 — The popular podcast You Must Remember This takes on Kenneth Anger’s movie industry gossip.
Jul 4, 2018 — In his big-screen breakthrough, Sam Shepard delivers tenderness, ferocity, and the quiet expressiveness of a silent film star.
Jul 4, 2018 — Wim Wenders and Jim Jarmusch have always been eager to credit the Dutch cinematographer for teaching them about color and light.
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.