14’s Good, 18’s Better

Aug 16, 2024 — With her partner, John Cassavetes, Rowlands made some of the most vital and alive films in all of American cinema.

Jul 18, 2024 — Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

Jun 25, 2024 — A collection on the Criterion Channel charts the evolution of the synthesizer—from its infancy in the 1950s to its maturity in the 1980s—and its transformative impact on film music.

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

May 29, 2024 — This Oscar-winning courtroom drama revolves around one of director Justine Triet’s most complex creations—a high-achieving female protagonist whose motivations remain tenaciously mysterious.

May 24, 2024 — During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 20, 2024 — Every rave and every pan salutes Coppola’s determination to realize his grandest vision.

May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

May 13, 2024 — Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.