The Criterion Collection
The filmmaker cites All That Jazz as a major influence on modern editing, reveals the connection between Memories of Underdevelopment and Trainspotting, and shares his theory on why a director’s first film is always their best.
The writer and director of Misericordia talks aboutfinding beauty in Todd Solondz’s explorations of perversion, shares his love of how David Lynch fractures the American dream, and praises the “cinematic choreography” in Pickpocket.
The writer and director of Girlfight selects films with complex themes of power and ambition; praises women whose work she felt gave her permission to become a filmmaker, such as Martha Coolidge and Joan Micklin Silver; and shares her love...
The writer and director of His Three Daughters shares his deep love for Charles Laughton, talks about how Aki Kaurismäki blends fantasy and reality in La vie de bohème, and praises La Ciénaga and Girlfriends as cinematic miracles.
The actor and star of Nosferatu, Juror #2, and The Order shares why Shallow Grave is seared into his memory, talks about his love for Peter Sellers’s performance in Being There, and selects favorites by Bruce Lee, the Coen brothers,...
The writer and director of Nosferatu shares his fascination with Sergei Parajanov’s ornate tableaus, praises costume designer Piero Tosi’s work on Medea and Death in Venice, and talks about how Jack Clayton’s The Innocents ignites his imagination.
The director and cowriter of Nickel Boys praises The Qatsi Trilogy as “vital for understanding the visual world,” quotes from Chris Marker’s Sans Soleil, and talks about watching Bruce Lee movies with his dad.
The actor and star of Exhibiting Forgiveness talks about his hero, the late James Earl Jones, and his performance in Claudine; shares how Lorraine Hansberry’s A Raisin in the Sun sparked his desire to perform; and selects films by friends...
The writer and director of All We Imagine as Light shares why Sans Soleil and Arabian Nights are gifts that keep on giving, talks about Aki Kaurismäki’s “fun and audacious” Leningrad Cowboys films, and praises Louis Malle’s Phantom India as...
The artist and codirector of Agnès Varda’s documentary Faces Places talks about his intimate collaboration with the late iconic filmmaker, praises world-expanding masterpieces like La haine and Roma, and shouts out his friend Louis Garrel.