The Criterion Collection
Jul 11, 2025 — Jon Raymond is an author and screenwriter living in Portland. His books include The Half-Life, Livability, Rain Dragon, Freebird, Denial, and God and Sex. He has also published a collection of art writing called The Community: Writings About Art in...
Dec 1, 2023 — Hlynur Pálmason is an artist and filmmaker who was born in 1984 in Iceland. He began his career as a visual artist and went on to pursue an education at the National Film School of Denmark. His debut feature, Winter...
May 1, 2019 — The acclaimed out-rock trio Beak> was formed in January 2009 by Bristol musicians Billy Fuller (Robert Plant, Fuzz Against Junk), Matt Williams, and Geoff Barrow (Portishead). The band has very strict guidelines governing their work: the music is recorded live...
Oct 27, 2016 — Zach Clark is the writer and director of Little Sister, White Reindeer, Vacation!, and Modern Love Is Automatic. He lives in Brooklyn, New York.
Apr 7, 2010 — Seth is a cartoonist whose books include It’s a Good Life If You Don’t Weaken, George Sprott (1894–1975), and Clyde Fans Book One. As an illustrator and designer, he has worked on a number of high-profile projects, including Fantagraphics Books’...
Nov 20, 2008 — In honor of her introduction to the collection, with An Angel at My Table, we asked director Jane Campion to contribute a list of Criterion films that are on her mind at the moment. Campion’s debut feature, Sweetie, is also...
The writer and director of Blue Heron shares how John Cassavetes inspired her own approach to independent filmmaking, praises The Watermelon Woman and Not a Pretty Picture as essential works of hybrid cinema, and talks about her personal connection to...
The filmmaker cites All That Jazz as a major influence on modern editing, reveals the connection between Memories of Underdevelopment and Trainspotting, and shares his theory on why a director’s first film is always their best.
The writer and director of Misericordia talks aboutfinding beauty in Todd Solondz’s explorations of perversion, shares his love of how David Lynch fractures the American dream, and praises the “cinematic choreography” in Pickpocket.
The writer and director of Girlfight selects films with complex themes of power and ambition; praises women whose work she felt gave her permission to become a filmmaker, such as Martha Coolidge and Joan Micklin Silver; and shares her love...