The Wind

Mar 27, 2006 — The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.

Jan 5, 2006 — Akira Kurosawa appreciated Shake­speare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.

Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...

Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Dec 12, 2025 — This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.

Aug 19, 2025 — Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.

May 9, 2025 — Voices come in pairs this week: Jia Zhangke and Zhao Tao, Daney and Rivette, Patrick Bateman and his fans.

Feb 16, 2024 — This week brings fresh writing on Edward Yang and David Cronenberg, a talk with Wim Wenders, and a bundle of lists.

Oct 31, 2023 — With the full force of her imagination, director Nikyatu Jusu examines the complicated nature of Black motherhood, as well as the importance of Black communion as an antidote to racial oppression.

Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.