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The Post

Jun 13, 2019 Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...

May 9, 2019 Studio Visits You’d be hard-pressed to find someone more passionate about movie posters, not to mention gifted at making them, than Nashville-based artist and musician Sam Smith. A lifelong cinephile and devotee of design history—today he even cohosts a podcast...

Apr 8, 2019 We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...

Holiday Reading

The Daily

Dec 21, 2018 New issues of Senses of Cinema and cléo this week, but also healthy seasonal doses of anxiety and lamentation.

Nov 9, 2018 This week has seen appreciations of such disparate figures as Ida Lupino, André Bazin, and F. J. Ossang.

Aug 20, 2018 A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.

Jul 19, 2018 Repertory Picks This weekend, the Guild Cinema in Albuquerque, New Mexico, will plunge into the shadows, as the theater launches its fifteenth-annual Festival of Film Noir, a celebration spanning ten days, five double features, and countless criminal acts. The festival...

Jun 5, 2018 Both award-winning directors are committing to television projects even as they carry on making feature films.

Mar 28, 2018 Even if you won’t be anywhere near Ghent from today through Sunday, you’ll want to know about the Courtisane Festival. The program for this year’s edition alone will likely have you making mental notes on films to add to your...

True/False 2018

The Daily

Mar 1, 2018 This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...

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