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Jan 20, 2018 We begin with April Wolfe, writing for Film Comment and introducing us to Maxim Pozdorovkin and Our New President, which “tells a thrilling, scary, mind-bending, and often-hilarious story of Russian propaganda’s role in the 2016 U.S. presidential election, constructed almost...

Jan 18, 2018 The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

Jan 11, 2018 The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...

Jan 8, 2018 New York. “If the promise of canonical film school heartthrobs—among them Marcello Mastroianni, Ugo Tognazzi, and Michel Piccoli—gorging and fucking themselves to death in a provincial villa sets your heart a-racing, close that incognito tab and treat yourself to La...

Jan 7, 2018 The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...

#Bergman100

The Daily

Jan 3, 2018 Ingmar Bergman was born on July 14, 1918, and exhibitions and film series celebrating the hundredth anniversary are already underway. Update, 1/5: Ingmar Bergman’s Cinema, a Janus Films retrospective of twenty-four works, will open at New York’s Film Forum on...

Jan 2, 2018 New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...

Dec 29, 2017 From C. Mason Wells comes word that Dan Talbot, founder of New Yorker Films (and pictured above in front of the New Yorker Theater with Alfred Hitchcock), has passed away. “Alongside his wife Toby, few did more for world cinema...

Dec 22, 2017 “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Dec 19, 2017 Reese Witherspoon looks back on how she perfected the details of her performance as a high-school overachiever in Alexander Payne’s Election.

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