The Criterion Collection
Jan 5, 2006 — A gray flannel ghost story in which the living haunt the dead, the least appreciated of Akira Kurosawa’s midperiod collaborations with Toshiro Mifune throws open the windows of Japanese corporate corruption.
Apr 28, 2003 — The sense of the difficulty of a real assumption of adulthood gives François Truffaut’s final Antoine Doinel film an undercurrent of anguish, despite its surface lightness.
Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.
Essays
Oct 15, 2001 — Preston Sturges’s beloved comedy provides insights into the way Hollywood formulas work on us.
Essays
Oct 30, 2000 — Perry Henzell’s reggae-infused outlaw film reflects the political climate of the times, when anti-government movements were sweeping America and the world.
Essays
Sep 2, 1993 — Capturing for posterity the portrayal that brought Paul Robeson fame, this film was a turning point—the culmination of his early career and a groundbreaking showcase for the work of a black leading man.
Features
Mar 11, 1993 — Released the year before Close Encounters of the Third Kind and Star Wars, Nicolas Roeg’s terrestrial space opera is devoid of matte shots, models, or pyrotechnics, and it leaves us not wondering at the stars but grieving for ourselves.
Nov 19, 1992 — In Hieronymous Karl Friedrich, Baron von Munchausen, the greatest liar in history outside of politics, director Terry Gilliam has found perhaps his closest fictional counterpart.
Essays
Jun 12, 1991 — I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.
On the Channel
Jun 16, 2026 — Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...