The Criterion Collection
Criterion Designs
May 6, 2020 — Once seen, the opening credits of Juraj Herz’s pitch-black satire The Cremator (1969) are not soon forgotten. At the beginning of the handcrafted, collage-style sequence, a still close-up of the protagonist’s head, from the eyes up, takes over the screen,...
The Daily
Nov 14, 2018 — He transformed a fledgling comic book publisher into a juggernaut brand.
May 9, 2018 — In this followup to Embrace of the Serpent, a mob story is interwoven with Wayúu Native American rituals.
Apr 17, 2017 — Artist and writer Dash Shaw chats with us about first discovering René Laloux’s 1973 sci-fi masterpiece and its lasting influence on his own illustration style.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Essays
Oct 4, 2011 — Director Catherine Breillat writes about the primal pleasures of watching Pier Paolo Pasolini’s notorious film.
Apr 28, 2010 — Just over halfway through Ang Lee’s masterful Civil War drama Ride with the Devil, the small group of men at the story’s center, young, Southern-sympathizing Bushwhackers fighting in divided Missouri, meet up with other ragtag bands of rebels. Coalescing under...
Apr 23, 2009 — These profiles of the real-life Sada Abé and the actress who portrayed her in Nagisa Oshima’s In the Realm of the Senses first appeared in Donald Richie’s 1987 book Different People: Pictures of Some Japanese, and can also be found...
Essays
Mar 30, 2009 — Among the great Polish filmmakers—Krzysztof Kieslowski, Krzysztof Zanussi, Agnieszka Holland, Roman Polanski—Andrzej Wajda stands out as the one most concerned with national identity and memory.
Essays
May 12, 2008 — If ever an actor could reconcile his natural-born swagger with a kind of pervasive lethargy it was Maurice Ronet, the star of Louis Malle’s staggering psychological drama.