The Criterion Collection
Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.
Jun 4, 2016 — Wim Wenders’s road movies, Michael Almereyda writes, are “at once minimal and romantic, austere and lyrical,” focusing on questions—of individuals and society, culture and nature—that Wenders has returned to throughout his career.
Essays
Mar 30, 2015 — The astonishing intimacy and scope of this remarkable, aesthetically captivating epic ushered in a new era of narrative documentary filmmaking.
Mar 18, 2014 — In addition to technical brilliance and a humanist message, Akira Kurosawa’s adventure features one of the director’s strongest female characters.
Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.
Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...
Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
Apr 25, 2012 — Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...