Camp

Nov 11, 2002 — A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.

May 13, 2002 — In Barbet Schroeder’s portrait of Ugandan dictator Idi Amin, we watch a seemingly amiable, thoroughly pompous despot attempt to transform himself into a figure of heroic proportions.

Jul 9, 2001 — Directed by Bruce Robinson, this eccentric, disquieting satire about Madison Avenue transforms from fevered realism to symbolic fantasy.

Jul 17, 2000 — Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.

May 10, 1993 — Green for Danger is a welcome twist on that most venerable of English concoctions, the drawing-room thriller. In this instance, the drawing room is instead a hospital not far from London, where surgery is conducted under a cascade of German...

Nov 12, 1990 — For a twenty-seven-year-old director with a smattering of television experience and only one prior feature, Steven Spielberg demonstrated an awesome mastery of the film medium when his first big production hit the screen in 1975. An instant and certifiable phenomenon,...

Sep 24, 1990 — Imagine Hitchcock’s Psycho told from the point of view of its title character, and you have a rough idea of Taxi Driver. This riveting 1976 film is at once a thriller, a psychological case study, an exploration of the eroticism...

Mar 6, 1989 — This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.