The Criterion Collection
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.
Essays
May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.
Essays
Feb 1, 1999 — After finishing Diabolique, heralded French director-screenwriter Henri-Georges Clouzot (1907–1977) confessed that all he had intended was to make a picture that would “amuse myself” and please a young girl who hid under the covers and asked her father to frighten...
Nov 6, 1989 — If you had to choose one movie to have with you while stranded on an island, the choice might well be Lawrence of Arabia. Considered by many as one of the greatest films ever made, it received seven Academy Awards...
Dec 1, 1986 — Don Siegel’s Invasion of the Body Snatchers (1956) is one cult film that has also won over the cultivated buff. As Peter Morris remarks (in his Dictionary of Films): “Though one of the subtlest films of the genre, containing little...
Jun 23, 2003 — Ermanno Olmi’s seldom-cited debut feature, the 1958 Time Stood Still, is a wonderful film, but it was the one-two punch of his second and third films that put him on the international movie scene map. Il Posto and I Fidanzati...
Greg Tate is a Village Voice staff alum, musician, and cultural provocateur who lives high atop Harlem’s Sugar Hill. His books include Flyboy in the Buttermilk, Flyboy 2: The Greg Tate Reader, Midnight Lightning: Jimi Hendrix and the Black Experience,...
Ashley Clark is the curatorial director at the Criterion Collection. Previously, he worked as director of film programming at the Brooklyn Academy of Music, and he has curated film series at BFI Southbank, the Museum of Modern Art, and TIFF...