In Gefahr und größter Not bringt der Mittelweg den Tod

Oct 24, 2005 — Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.

Sep 13, 2004 — The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...

Feb 2, 2004 — Barbet Schroeder’s tale of two lovers executes their affair against a backdrop of jaw-dropping sadomasochistic activity.

Aug 17, 2003 — Iwrote my first drama when I was seventeen. I showed it to Ingmar Bergman who then was twenty-four. Later on in life I started to write screenplays and needed to know how a director works. So I put a question...

Apr 28, 2003 — Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.

Jan 6, 2003 — With its casually comfortable exoticism, abstruse locale, and beautifully sympathetic anti-hero, Julien Duvivier’s film established a narrative paradigm that persists today.

Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.

Aug 20, 2001 — Director Torben Skjødt Jensen discusses the "three aesthetic levels" with which he approaches his documentary portrait.

Aug 20, 2001 — Carl Dreyer’s 17th-century period piece leaves all major questions frustratingly unresolved yet vibrantly open, quivering and radiant with life and meaning.

Jul 9, 2001 — John Schlesinger’s classic is an exuberant satire of a society caught between its old ways and the urge to modernize.