The Criterion Collection
Jun 20, 2023 — In their first collaboration, director Joseph Losey and screenwriter Harold Pinter explore the cultural fissures in modern England by dramatizing a kind of role-play in which no role is stable or easy to define.
The Daily
Jun 15, 2023 — A major star in the 1970s, she retired to serve as a Labour MP, and then returned to widespread acclaim.
Jun 14, 2023 — In her deeply empathetic documentaries, the British filmmaker illuminates the lives of ordinary people who have quietly created new identities and possibilities for themselves.
The Daily
Jun 14, 2023 — At least one adaptation was met with unqualified critical and financial success—and then there’s the one McCarthy wrote from scratch.
The Daily
Jun 9, 2023 — A rebel actress, a lost oeuvre, and a pornographic remake are among this week’s highlights.
Jun 9, 2023 — One of Hollywood’s most beloved actors showed a turbulent, sometimes downright sinister side in his collaborations with director Anthony Mann, which include the classic westerns Winchester ’73 and The Man from Laramie.
The Daily
Jun 6, 2023 — The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.
The Daily
May 31, 2023 — It’s not every year that so many critics are pleased with the juries’ choices.
Essays
May 30, 2023 — Seamlessly blending an array of cinematic traditions, Thelma & Louise is more than anything a western—one that takes advantage of the genre’s elasticity and reflects its preoccupation with justice, liberty, and self-determination.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.