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The Master of Apipucos

Jan 10, 2020 How do movies work? It’s a question that seems to have been on more than a few minds this week.

Nov 22, 2019 Critics are praising the French New Wave icon’s joyous and reflective final film, which hits theaters in New York this week.

Sep 16, 2019 In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...

Sirk in the Sun

Features

Aug 21, 2019 One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...

Apr 30, 2019 With these twin monuments of Hong Kong action filmmaking, Jackie Chan catapulted to international stardom, perfecting a unique blend of athleticism and populism.

Apr 20, 2019 The latest installment of the Criterion Channel’s Meet the Filmmakers series, in which we invite artists to create documentary portraits of directors they admire, sets out for a stroll with an underappreciated American master: Charles Burnett, the poetic realist behind...

An Opera for Everyone

Sneak Peeks

Mar 13, 2019 Ingmar Bergman was a master of both screen and stage, and in his 1975 version of The Magic Flute, he merged the two mediums to enchanting effect. He couldn’t have chosen more inspiring material to showcase his gift for capturing...

Mar 6, 2019 Performances As Howard Hawks was preparing to make His Girl Friday, his 1940 version of the classic Ben Hecht and Charles MacArthur play The Front Page, he was determined not to repeat what he felt had been a problem with his earlier comedy Bringing Up...

Feb 6, 2019 Ten forward-looking features and a few intriguing revivals will screen from today through Sunday in New York.

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

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