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The Fan

Time Bandits

Essays

Mar 29, 1999 Terry Gilliam’s Time Bandits was the most critically well-received children’s film in nearly two decades—and also the most challenging and rewarding fantasy-adventure movie since Alexander Korda’s The Thief of Bagdad, released forty-one years earlier. At the dawn of the 1980s,...

Tokyo Drifter

Essays

Feb 22, 1999 To experience a film by Japanese B-movie visionary Seijun Suzuki is to experience Japanese cinema in all its frenzied, voluptuous excess. Born in Tokyo in 1923, Seijun Suzuki is best known for a cycle of extraordinary yakuza (gangster) movies he...

Nov 18, 1997 Erotic and antierotic, Crash the movie begins boldly enough with a vacantly lissome blonde (Deborah Kara Unger) dreamily opening her blouse to press a bare nipple against the enameled surface of an airplane fuselage before allowing a total stranger to...

Sep 30, 2025 Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.

Dec 13, 2021 Chilean writer-director-producer Pablo Larraín’s features include Fuga (2006); Tony Manero (2008); Post Mortem (2010); No (2012), which won Best Film in the Directors’ Fortnight at the Cannes Film Festival and was nominated for the Best Foreign Language Film Academy Award;...

Apr 16, 2009 Next week, we release a definitive, three-disc set of the short documentaries of Jean Painlevé (1902–89), the pioneering French scientist-educator-filmmaker (and sometime Dadaist) whose mesmerizing studies of marine life, especially, have been attracting wide audiences and new fans for decades...

Fantastic features from around the globe

The perfect gift for fans and collectors alike!

Jun 17, 2025 This July, find love under the sun with our Summer Romances collection and flirt with the seductive dangers of Miami’s most thrilling neonoirs.

Mar 24, 2025 At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.

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