Revolution

Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.

Jan 17, 2005 — Jacques Becker’s genius is to focus resolutely on what comes before or after or falls in between the decisive actions: it’s a crime film where we learn how gangsters brush their teeth.

Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

May 26, 2003 — Despite its modest claims, Volker Schlöndorff’s twelfth film—about the near-civil war that raged in the Baltic provinces in the early twenties—is a jewel among his creations.

Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.

Jun 3, 2001 — Jacques Tati’s singular satire is a series of giddy encounters between people and things in which the wonders of “modern life” relinquish their functionality in favor of an unaccountably rapturous beauty.

Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.

Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.

Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.

Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.