The Criterion Collection
The Daily
Apr 8, 2022 — This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.
Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.
The Daily
Apr 5, 2022 — A series at Vulture and Karina Longworth’s You Must Remember This revisit the erotic movies of the 1980s and ’90s.
The Daily
Mar 31, 2022 — This year’s edition features a spotlight on Alice Diop.
The Daily
Mar 11, 2022 — This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.
Essays
Jan 25, 2022 — A Victorian-era tale of self-discovery, Jane Campion’s Palme d’Or winner exults in the thrill of female rebellion.
Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
The Daily
Dec 7, 2021 — As his latest feature arrives in the U.S., the director has already begun work on his next one.
Dec 7, 2021 — Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.