The Criterion Collection
Essays
Mar 4, 1989 — Alec Guinness used his new-found prominence and clout to initiate a long-cherished ambition, to bring Joyce Cary’s most famous novel to the screen.
Essays
Oct 31, 1988 — This ingenious and entertaining crime thriller marks what its director Stanley Kubrick would like to think of as the real beginning of his career.
Essays
Jun 13, 1988 — G. W. Pabst lends humanity and depth to his adaptation of a play by Bertolt Brecht—one of the last great works of German cinema's richest period.
Jan 4, 1988 — The Secret Agent (1936) came to life in the prime of Alfred Hitchcock’s British period. It arrived between the popular triumph of The 39 Steps and the box-office rejection of Sabotage, a more daringly downbeat work. Secret Agent partakes of...
The musician and composer reminisces about watching A Hard Day’s Night with his dad, explores the beautifully unnerving score for Eyes Wide Shut, and shares what he learned from collaborating with Alfonso Cuarón.
The performer and author sings (literally) the praises of the Tootsie score, talks about Barbra Streisand as a “North Star for anyone unconventional trying to make it in show business,” and shares the moving experience of watching My Beautiful Laundrette...
The actor and director shares his intimate connections to Eating Raoul and The Great Escape, explains what defines “the Lubitsch touch,” and praises the heartrending performances in The Last Picture Show.
The actor and comedian explains why His Girl Friday is “extremely Hacks-coded,” connects with David Lynch’s love of Los Angeles, and selects favorites like Thelma & Louise and Paper Moon.