The Criterion Collection
On the Channel
Jun 6, 2019 — Deep Dives He is our treasured resident alien, visiting from a dimension where shadows are rooms and movies are bad dreams that change reality. That’s one kind of way to think about David Lynch, and there are thousands more. For...
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
The Daily
May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
May 14, 2019 — It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...
May 10, 2019 — The Heiress, one of the most intense psychological dramas to issue from 1940s Hollywood, unfolds almost entirely under one roof: that of the well-appointed Manhattan town house where tremulous Catherine Sloper (an Oscar-winning Olivia de Havilland) lives with her domineering...
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...
May 7, 2019 — “The emotion and conflict between two people in a drawing room can be as exciting as a gun battle, and possibly more exciting,” wrote William Wyler on the release of his film The Heiress in 1949. This tenet is fully borne out...