May 29, 2025 The rise of fascism upended the childhoods of both filmmakers.

May 27, 2025 Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.

May 27, 2025 The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.

May 27, 2025 In the singular mid-1980s TV show Eternity’s Pillar, the jazz iconoclast gives viewers a chance to experience the healing powers of her music—and the intense spiritual practice that fuels it.

May 23, 2025 We’re in the mood for Wong Kar Wai, Kira Muratova, Carl Theodor Dreyer, Alan Rudolph, and Dag Johan Haugerud.

May 21, 2025 The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.

May 20, 2025 Four lives begin anew in Petzold’s first film to premiere in Cannes.

May 20, 2025 Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.

May 20, 2025 Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.

May 16, 2025 There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .

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