The Criterion Collection
Dec 3, 2018 — True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...
The Daily
Nov 29, 2018 — The largest retrospective in the U.S. yet is on through mid-December.
Nov 28, 2018 — Made on a shoestring budget, Edgar G. Ulmer’s 1945 Detour is a landmark of film noir, a hardboiled thriller that represents the genre at its seediest and most fatalistic. But despite amassing critical acclaim and a significant cult following over the decades,...
Nov 28, 2018 — It’s not every day that you see duds like these. One of the boldest splashes of local color in David Byrne’s True Stories—a genre-defying odyssey to the weird and wonderful world of north-central Texas—comes midway through, during a fashion show...
Essays
Nov 26, 2018 — The legendary filmmaker possessed the greatest speaking voice in American cinema, and The Magnificent Ambersons represents the summit of his work as a vocal actor.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
The Daily
Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.
Nov 7, 2018 — DOC NYC, the largest documentary festival in the U.S., will present 300 films in eight days.
The Daily
Nov 7, 2018 — Multimedia exhibitions of work by Andy Warhol, Chris Marker, Pedro Costa, and others are now on view around the world.
The Daily
Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.