The Criterion Collection
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
The Daily
Apr 30, 2019 — With its fresh vision, and yes, box office success, Boyz n the Hood (1991) made Singleton a force to be reckoned with for nearly three decades.
Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Features
Jan 20, 2018 — On what would have been Saul Turell’s ninety-seventh birthday, Peter Cowie celebrates the man who was the beating heart behind Janus Films.
The Daily
Nov 2, 2017 — In the Village Voice, Bilge Ebiri looks back to the day in 1992 when, as a college freshman, he dropped everything, skipped his classes, and took a train from New Haven to New York to see a movie: Orson Welles’s...
The Daily
Sep 30, 2017 — “It would seem that curators have replaced bankers as the villains du jour,” writes Jörg Heiser in a piece for frieze that addresses, among other showdowns, one here in Berlin that’s just resulted in the police clearing out occupiers from...
Features
May 31, 2017 — Director Terry Zwigoff shares his own musical taste in this article about how he went about selecting songs to underscore the deadpan tone of his cult comedy Ghost World.
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.
Oct 12, 2010 — One Every movie is two stories: the one it tells and the one that remains to be told about it by those involved in its creation. These two narratives converge in a certain current of the cinema of the past...