Anyone But You

Nov 13, 2019 — Flowers and vegetables pulse, slither, and take dirigible flight; a horse becomes a pampered, petulant lover; a diminutive porcelain mouse transforms into a muscled superhero to save a beleaguered heroine: these are just some of the arresting images in the...

Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.

Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.

Dec 5, 2018 — The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.

Nov 26, 2018 — The Magnificent Ambersons In his interviews with Peter Bogdanovich published as This Is Orson Welles, Welles speaks nostalgically of the time he spent with his father in a tranquil enclave of 1920s Illinois, comparing it to “a childhood back in...

Oct 30, 2018 — A showcase for some of Boris Karloff’s most nuanced acting, this beguiling horror gem is perfect Halloween viewing.

Oct 3, 2018 — Four delightful performances enliven debates about the future of art and literature.

Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.

Feb 15, 2018 — First up, that's Robert Pattinson in the image up there, the first, released just today, from Claire Denis’s High Life. Secondly, Ioncinema’s countdown of the most anticipated American independent films of 2019—again, twenty-nineteen—continues with notes on Shane Carruth’s The Modern...

Feb 10, 2018 — “Over a decade and a half in the making,” begins Mitch Anzuoni in the new issue of the Brooklyn Rail, “From The Third Eye: The Evergreen Review Film Reader is the first comprehensive look at Barney Rosset and Grove Press’s...