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A Time to Kill

Oct 24, 2017 In this intimate psychological thriller, Olivier Assayas interrogates contemporary society’s near-religious reliance on technology and its mediation of reality.

Sep 17, 2017 While we’re still reeling from the loss of Harry Dean Stanton, there are others who’ve left us this past week or so we’ll want to remember.“Frank Vincent, whose tough-guy looks brought him steady work as a character actor in film...

May 6, 2014 This humorous magazine piece from 1970 sheds some light on the meaning of the title of Il sorpasso, along with the way Vittorio Gassman comports himself behind the wheel in it.

May 17, 2011 “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...

Apr 12, 2011 A nightmare from which no one awakes, Claire Denis’ White Material (2009) takes place in a nameless African country teetering on the brink of all-out civil war. It is the veteran French director’s toughest work, unsparing with its characters and...

Notorious

Essays

Oct 15, 2001 Alfred Hitchcock’s classic thriller features two of Hollywood’s greatest stars, rendering their characters' grand romance in all its passion and perversity.

Jun 7, 1999 “Off there to the right—somewhere—is a large island,” said Whitney. “It’s rather a mystery—” “What island is it?” Rainsford asked. “The old charts called it Ship-Trap Island,” Whitney replied. “A suggestive name, isn’t it?” Sailors have a curious dread of...

Dec 18, 2012 One Scene Every time I watch Ingmar Bergman’s Scenes from a Marriage, I am stunned that a film could be so full. Here is this thing stuffed with detail, design, behavior, emotion, surprise, and skill. Like Fanny and Alexander and...

Aug 28, 2012 The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.

Daring Pursuits

The Daily

Feb 5, 2021 This week we’re reading Nick Pinkerton on Fassbinder’s problems with Chabrol and revisiting films by Marguerite Duras, Lizzie Borden, and Béla Tarr.

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