The Criterion Collection
Essays
Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.
Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...
Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.
Sneak Peeks
Dec 6, 2013 — Ennio Morricone is known the world over for his instantly identifiable scores in such films as The Good, the Bad, and the Ugly; Once upon a Time in the West; and The Mission. He has composed hundreds of others, however,...
Dec 6, 2013 — Did You See This?• The truly lost art of silent cinema • Pascal Dangin, Frances Ha’s secret weapon • Behind film’s ultimate preservation society • A critic’s best of 2013—in dazzling motion • A new Richard Linklater film, twelve years...
Sneak Peeks
Dec 5, 2013 — Keith Carradine was even more essential to Robert Altman’s Nashville than you may realize.
Nov 22, 2013 — Did You See This? • Catching up with Nashville’s Ronee Blakley • Visit Being John Malkovich’s 7½ floor. • Agnès Varda selects. • They’ve got a file on you, Orson. • Words of wisdom from Albert Maysles • The Warner...
Short Takes
Nov 20, 2013 — On November 5, Frances Ha herself, Greta Gerwig, appeared onstage at the New York Institute of Technology Auditorium on Broadway for a special Screen Actors Guild Foundation event. Following a screening of Noah Baumbach’s film, cowritten by and starring Gerwig,...
Sneak Peeks
Nov 19, 2013 — There are few people in the world we would rather hear talk about the beauty of Yasujiro Ozu’s cinema than Donald Richie. One of the world’s foremost scholars on Japanese film and culture, Richie, who died earlier this year, appears...
Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...