The Criterion Collection
Jan 3, 2014 — Did You See This?• Being Judith Anderson • A directors’ roundtable with Steve McQueen, Spike Jonze, and others • Godard’s coming attractions • The perils of adapting books to the screen • Remembering composer Wojciech Kilar • The fight over...
Features
Dec 30, 2013 — Charlie Chaplin’s comedy has a secret ingredient that has bound us to him forever.
Dec 20, 2013 — Did You See This?• Farran Smith Nehme on Joan Fontaine • David Thomson on Peter O’Toole • The Great Beauty deserves the award for best-dressed. • Liv Ullmann looks back. • Twenty-five new ones for the National Film Registry •...
In Theaters
Dec 19, 2013 — Repertory PicksIt’s a tradition. Every year at Christmastime, the Gene Siskel Film Center in Chicago resurrects Hiroshi Teshigahara’s exquisite documentary cum visual poem Antonio Gaudí for a weeklong engagement. This largely wordless film, which shows us the beautiful and grand...
Essays
Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.
Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...
Dec 10, 2013 — Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.
Sneak Peeks
Dec 6, 2013 — Ennio Morricone is known the world over for his instantly identifiable scores in such films as The Good, the Bad, and the Ugly; Once upon a Time in the West; and The Mission. He has composed hundreds of others, however,...
Dec 6, 2013 — Did You See This?• The truly lost art of silent cinema • Pascal Dangin, Frances Ha’s secret weapon • Behind film’s ultimate preservation society • A critic’s best of 2013—in dazzling motion • A new Richard Linklater film, twelve years...
Sneak Peeks
Dec 5, 2013 — Keith Carradine was even more essential to Robert Altman’s Nashville than you may realize.