The Fan

Mar 30, 2017 — Repertory PicksNext Monday, the Michigan Theater in Ann Arbor will raise the curtain on the 1969 historical fantasy Fellini Satyricon. Following the underwhelming response to his first color feature, 1965’s gaudily surreal Juliet of the Spirits, and his reluctant abandonment...

Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.

Jan 3, 2013 — Repertory PicksBefore he became a Hollywood titan, redefining the contemporary superhero film with his Batman trilogy and creating one of the biggest-budget head trip movies of all time with Inception, Christopher Nolan was an idiosyncratic auteur with limited resources, relying...

Feb 15, 2012 — Comedy evolves. We long ago bid adieu to the physical acrobatics of Buster Keaton, the wisecracks of Bob Hope, the witty repartee of Cary Grant and Irene Dunne. The now-reigning comedy of embarrassment, seen in the films of Judd Apatow...

Aug 24, 2011 — NOTE: The following essay contains spoilers. Not long into Lee Chang-dong’s Secret Sunshine (2007), a melodrama about suffering, salvation, and the dangerously blurred line between belief and madness, the heroine encounters the first of several challenges to her way of...

Dec 7, 2010 — Guillermo del Toro understands the power of fairy tales. Not the prettified romances of Charles Perrault, who tamed the Brothers Grimm for French drawing rooms, or the charming animal fables of Aesop, or the reassuring moral lessons Disney made of...

Dec 4, 2008 — The soundtrack to Wes Anderson’s short protofilm for Bottle Rocket will be available digitally for the first time starting December 9, from Fantasy Records/Concord Music, the company announced today. The release was timed to coincide with Criterion’s new DVD of...

Jan 11, 2006 — The typical midlife crisis, to which we all fall victim in some major or minor degree, came to Fellini with a slight delay. On the twentieth of January, 1960, the day of his fortieth birthday, he was, in fact, too...

Jul 25, 2005 — Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.

May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton