The Criterion Collection
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...
The Daily
Oct 10, 2019 — The rights to Jonathan Lethem’s novel were secured twenty years ago, and now that film is finally rolling out, reviews are mixed.
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
Oct 7, 2019 — One Scene Japanese filmmaker Takashi Miike has directed more than a hundred features, and almost three decades into his career he’s showing no signs of slowing down. Throughout his ferocious, often controversial body of work, he has contorted disparate genres...
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Oct 4, 2019 — When I met Ann Carter in 2007 during the filming of a documentary about Hollywood producer Val Lewton, she was seventy years old, more than six decades removed from her starring role in Lewton’s The Curse of the Cat People....
The Daily
Oct 2, 2019 — Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.
Sep 20, 2019 — In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...
The Daily
Sep 18, 2019 — Adam Sandler plays a jeweler addicted to risk in the brothers’ new exhilarating—and exhausting—new film.
Sneak Peeks
Sep 13, 2019 — With The Cloud-Capped Star, Bengali director Ritwik Ghatak reinvented the melodrama. The story of a refugee family’s increasing dependence on self-sacrificing eldest daughter Neeta (Supriya Choudhury), the 1960 film makes innovative use of an array of striking techniques—including elliptical editing,...