Jul 29, 2021 As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 23, 2021 This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.

Jul 20, 2021 Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.

Jul 19, 2021 The Palme d’Or, Caméra d'Or, Un Certain Regard Prize, and Palme d’Or for best short film have all gone to women directors.

Jul 19, 2021 When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Harmony and Horror

The Daily

Jul 16, 2021 The spotlight this week is on Sara Driver, Jacques Tati, Bill Duke, Lizzie Borden, and Nobuhiko Obayashi.

Jul 15, 2021 The annual showcase of emerging talent wraps its sixtieth edition with the presentation of six awards.

Jul 14, 2021 Cannes premieres new work from Mia Hansen-Løve, Wes Anderson, Nanni Moretti, Asghar Farhadi, and Kirill Serebrennikov.

Jul 13, 2021 Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.

Jul 13, 2021 One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

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