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One Piece! 水玉 COLLECTION

BAMcinemaFest 2022

The Daily

Jun 23, 2022 The showcase of independent films from around the world returns as an in-person event for the first time since 2019.

10 Things I Learned: Rouge

Production Notes

Jun 21, 2022 The producer of our edition of the masterful 1987 melodrama tells the stories of some of director Stanley Kwan’s legendary collaborators, including superstars Anita Mui and Leslie Cheung.

Jun 17, 2022 This week: Surrealism and cinema, a Cold War “travesty,” talking about Bruno, and walking in Hong Kong.

Jun 1, 2022 UCLA spotlights a diverse array of American lives depicted in films made between 1984 and 2020.

Jun 1, 2022 With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.

May 25, 2022 Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 5, 2022 Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...

Apr 19, 2022 Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.

Apr 8, 2022 This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

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