Film

With his brilliant knack for composition, expertise at choreographing deadpan slapstick, and grandiose vision, this French mime turned filmmaker created one of the most enjoyable, singular oeuvres in film.

Aug 4, 2010 — Québécois filmmaker Xavier Dolan’s debut feature, I Killed My Mother, won three prizes in the Directors’ Fortnight section of the 2009 Cannes Film Festival, and his follow-up, Heartbeats, competed for the festival’s Un certain regard. An avowed Criterion addict, Dolan...

Jul 19, 2010 — “It is the most erotic film that I have ever made,” wrote Michael Powell of Black Narcissus. “It is all done by suggestion, but eroticism is in every frame and image, from the beginning to the end.”

Surreal, structural, et cetera: A handful of visionary, largely nonnarrative works belong to the collection, from some of the most important experimental film artists around the world—Jean Painlevé, Kenneth Macpherson, Stan Brakhage, and Chantal Akerman among them.

May 25, 2010 — In the films of Stan Brakhage, the viewer’s role must be reimagined: from a passive receiver to one who meets the film halfway, actively plumbing the depths of its imagery and the various themes and ideas suggested by its subject...

May 13, 2010 — Samuel Beam is an American singer-songwriter (and former film studies professor!) better known by the stage name Iron and Wine. His last album was 2007’s The Shepherd’s Dog, and a follow-up is in the works. When selecting his top ten...

Feb 17, 2010 — Michael Atkinson writes film criticism for IFC.com, Sight & Sound, and Moving Image Source. His books include Exile Cinema: Filmmakers at Work Beyond Hollywood and the novel Hemingway Deadlights. His writing for Criterion includes essays for Wings of Desire and...

Dec 11, 2009 — This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...

Nov 30, 2009 — The following essay was originally written for Criterion’s website in 2005, on the occasion of the DVD release of Powell and Pressburger’s The Tales of Hoffmann. We have posted it here to coincide with BFI Southbank’s ongoing Hein Heckroth exhibition...

Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.