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Apr 9, 2013 — David Cronenberg and William S. Burroughs: it was a meeting of the mutant minds years in the making.

Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.

Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.

Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.

Jan 16, 2013 — Both sparkling and suspenseful, Alfred Hitchcock’s benchmark thriller is the perfect getaway, and it set the scene for much of the master’s later work.

Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.

Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...

Pier Paolo Pasolini’s ability to simultaneously embrace conflicting philosophies was matched by the multifariousness of his professional life, as a controversial filmmaker, writer, painter, actor, and all-around intellectual public figure.

Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.

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