The Criterion Collection
Features
Mar 26, 2020 — Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...
Interviews
Jun 30, 2025 — An up-and-coming director reflects on the resourcefulness and scrappy ingenuity that went into making his three films, now playing on the Criterion Channel.
On the Channel
Mar 29, 2021 — Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...
Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.
Oct 22, 2021 — Deep Dives People of color have often been erased from the history of queer life, but against the odds they have managed to leave behind important documents of their communities’ survival, including underappreciated films that remain to be discovered by...
Dec 17, 2020 — The year 1999 was several months old when I entered Los Guajolotes, a restaurant that, like so many others in Mexico City, has now disappeared. I was walking to my table when a person who appeared to live on the streets...
Features
Mar 6, 2020 — Above photo: © Chuck Stewart Photography, LLCIn America, black musical genius has never been in short supply, though it hasn’t always been recognized or fairly compensated. Even a casual glance at the résumé of formally trained composer, producer, and arranger...
The Daily
Jul 16, 2018 — NECSUS, a freely accessible, international journal of media studies, is rolling out its new issue.
Jan 21, 2018 — “After innumerable plays, books, films, made-for-TV series and specials, and even an opera and a musical, you would think popular culture would have exhausted all the options for telling the story of Lizzie Borden, the New England woman who was...
Essays
May 26, 2003 — Despite its modest claims, Volker Schlöndorff’s twelfth film—about the near-civil war that raged in the Baltic provinces in the early twenties—is a jewel among his creations.