After We Fell

Aug 9, 2010 — San Francisco filmmaker Terry Zwigoff’s first cinematic effort, the 1985 Louie Bluie, is a wry, ribald, and magical portrait of the country-blues string band player and irrepressible raconteur Howard Armstrong (a.k.a. Louie Bluie). This catchy, engaging sixty-minute documentary, a clattering...

Jun 14, 2010 — All writing is travel writing, the axiom goes. And for Jim Jarmusch, perhaps more than any other filmmaker working today, all movies are travel movies. It’s not a slight to call him the epitome of the filmmaker as tourist. In...

Apr 28, 2010 — Just over halfway through Ang Lee’s masterful Civil War drama Ride with the Devil, the small group of men at the story’s center, young, Southern-sympathizing Bushwhackers fighting in divided Missouri, meet up with other ragtag bands of rebels. Coalescing under...

Apr 13, 2010 — Indefatigably political Italian filmmaker Gillo Pontecorvo, best known for 1966’s truly revolutionary The Battle of Algiers, once stated that “the ideal director should be three-quarters Rossellini and one-quarter Eisenstein.” Certainly, one can see traces of the work of both of...

Mar 23, 2010 — In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.

Mar 17, 2010 — 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...

Mar 16, 2010 — More than a decade after his death in 1997, the moment is right for the rediscovery of the work of Marco Ferreri. “I think he’s modern. More than modern, in fact,” frequent collaborator Marcello Mastroianni once remarked, encapsulating how far...

Feb 17, 2010 — The feature film debut of British artist Steve McQueen, Hunger dramatizes the final weeks in the life of Irish Republican Army commander Bobby Sands and his death by hunger strike, aged twenty-seven, in 1981. Combining intense formal control and extreme...

Jan 26, 2010 — "All roads lead to Rome Open City,” Jean-Luc Godard once said, playing on the old Italian proverb—and meaning, we can assume, that when thinking about modern cinema, one always has to come to terms with Roberto Rossellini’s seminal film. Indeed,...

Dec 10, 2009 — Upon its U.S. release in the fall of 1969, Costa-Gavras’s Z made a splash unprecedented for a non-Hollywood film: star Yves Montand talked it up to Johnny Carson on The Tonight Show, and the film went on to gross $2.2...