The Criterion Collection
Essays
Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.
Apr 16, 2025 — The two Cannes sidebars select films by Christian Petzold, Robin Campillo, Eva Victor, and Sophie Letourneur.
May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...
On the Channel
Mar 26, 2020 — Check out what’s in store next month on our streaming service!
Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
The Daily
Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.
The Daily
Feb 14, 2025 — On our minds this week: Chantal Akerman, Ang Lee, and Akira Kurosawa.
The Daily
May 10, 2024 — Horace Ové’s Pressure opens, Víctor Erice and Pedro Costa exchange ideas, and GQ presents an oral history of Go.
Mar 17, 2020 — Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...