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† His Return

Oct 17, 2023 She left the movies twice but returned to deliver memorable performances in The Hustler, Carrie, and Twin Peaks.

Oct 6, 2023 Notes on a “gobsmacking” Mexican classic, Isabelle Adjani’s secrets, and underground cinephilia in Iran.

Sep 26, 2023 Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Sep 22, 2023 John Waters goes Hollywood, Terence Davies reads a poem, and Marguerite Duras tears it all down.

Sep 18, 2023 Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.

Sep 15, 2023 This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.

Sep 8, 2023 We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.

Aug 14, 2023 Defying pressure from Iran, Locarno didn’t just screen Ali Ahmadzadeh’s Critical Zone; the festival also gave it its top award.

Jul 11, 2023 In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.

Bresson and Marker

The Daily

Jun 26, 2023 The Cinemateca Brasileira programs an odd pairing, but it all comes together in 1983.

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