The Criterion Collection
May 17, 2012 — Robert Downey Sr. and Paul Thomas Anderson have been close friends for years. (You can see Downey in a memorable cameo as a record producer in Anderson’s 1997 film Boogie Nights.) Last month, the two directors came to the Criterion...
May 11, 2012 — Did You See This? • Yes, Ingmar Bergman visited the set of Jaws • Where have all the movie palaces gone? • Playing dress-up with gangsters • Robert Pattinson is crazy for Cronenberg • Wim Wenders’s strange and quiet places...
Essays
May 8, 2012 — These thoughts on La haine by director Costa-Gavras first appeared in the program book for the 2006 Toronto International Film Festival, where the film was screened. La haine is a phenomenon, in that it is an abnormal, a surprising, and...
Sneak Peeks
Apr 6, 2012 — It’s hard to believe that Ivan’s Childhood was Andrei Tarkovsky’s first feature, so technically assured is its direction. Tarkovsky had received promising notices for 1961’s The Steamroller and the Violin, his forty-six-minute thesis film from VGIK (the Gerasimov All-Russian State Institute of Cinematography), but Ivan’s...
Mar 27, 2012 — Noël Coward and David Lean created a patriotic diptych with their first two films: In Which We Serve, from 1942, about the bravery and sacrifice of British sailors and those who love them, and the 1944 This Happy Breed, on...
Mar 27, 2012 — The mysterious letter was signed “Joe.” David Lean’s lawyer had sent me a batch of old correspondence. Struggling with a biography of Lean, I was desperate for any leads, and this one seemed worth following up. But how does one...
Mar 23, 2012 — Did You See This? • Under the skin of Frampton’s Surface Tension • Charting Buñuel’s “Red years” • Kael, Ebert, and the seventies . . . • . . . but what is cinephilia today? • Slacker and the Austin...
Short Takes
Mar 16, 2012 — One Scene 1973 Ford Pinto with Tanguy Sky (“3 Women”) 2011 | oil on canvas | 40 x 60 inches Robert Altman’s 3 Women is a surrealistic and unsettling study in identity theft, where personalities intertwine and unravel amid the desolation of the American...
Feb 7, 2012 — La Jetée (1963) and Sans Soleil (1983), made a tidy twenty years apart, are the twin peaks of Chris Marker’s creative achievements and his best-loved and most widely seen films. But who is Chris Marker? Writer, photographer, editor, filmmaker, videographer,...
Dec 6, 2011 — Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...