Young & Beautiful

Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Jun 27, 2005 — Like his earlier adaptations of Terence Rattigan plays, Anthony Asquith’s late work is bereft of heavy-handed directorial flourishes.

Jan 31, 2005 — With this early work, Bernardo Bertolucci confidently demonstrated the instinctive lyricism and sensuality that in his maturity would become his very own signature.

May 9, 2004 — With his vibrant chronicle of an Oedipal revolt, Volker Schlöndorff captures the source novel’s singular recreation of the German past.

Apr 19, 2004 — “Floating weeds, drifting down the leisurely river of our lives,” has long been a favored metaphor in Japanese prose and poetry. This plant, the ukigusa (duckweed in English), floating aimlessly, carried by stronger currents, is seen as emblematic of our...

Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.

Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.

Jun 23, 2003 — One of the most unusual features of Italian cinema of the late ’50s and ’60s is the way that it affords us multiple perspectives on the same event, namely the economic boom following the postwar recovery. Where the directors of...

May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton

Mar 18, 2003 — Director William Dieterle’s 1941 film adaptation of Stephen Vincent Benét’s short story “The Devil and Daniel Webster” is a melodramatic fever dream, a hallucinatory tour de force.