The Criterion Collection
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
The Daily
May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.
The Daily
May 22, 2019 — Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
The Daily
May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
The Daily
May 20, 2019 — While a few find the family drama heavy-handed, most critics are enthusiastically cheering on Loach’s latest competition entry.
The Daily
May 17, 2019 — In the news this week: Francis Ford Coppola, Raúl Ruiz, Joanna Hogg, and Lou Ye.
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.