Two People

Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Sep 5, 2023 — Pablo Larraín’s Golden Lion contender and upcoming series in New York and Vienna mark the fiftieth anniversary of the Chilean coup d’état.

Aug 31, 2023 — With the WGA and SAG-AFTRA strikes on, the spotlight this fall will be on the directors.

Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

Aug 28, 2023 — Throughout her four-decade career as a writer and director, Susan Seidelman has told complex stories about unconventional women striving to express themselves and maintain their autonomy. Her genre-melding films fuse a passion for the pleasures of Hollywood spectacle with a...

Aug 17, 2023 — As MINAMATA Mandala finally arrives in theaters, Anthology Film Archives presents a retrospective.

Aug 14, 2023 — Defying pressure from Iran, Locarno didn’t just screen Ali Ahmadzadeh’s Critical Zone; the festival also gave it its top award.

Aug 11, 2023 — Back in the early 1980s, people were still trying to figure hip-hop out.Now in its fiftieth year, this cultural movement built by DJs, rappers, break dancers, and graffiti writers began in New York, spreading from the South Bronx to the...

Aug 11, 2023 — Great as they are, there was a lot more to Hurricane Billy than The French Connection and The Exorcist.

Aug 7, 2023 — In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...