The Criterion Collection
May 31, 1990 — Isabelle Huppert shot from minor actress to full-fledged French star with a mesmerizing performance as, ironically, a young woman who is incapable of escaping anonymity. In Swiss director Claude Goretta’s elegant, beautifully observed tragedy/character study, Huppert is “Pomme,” a lovely,...
Apr 28, 2026 — As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...
On the Channel
Apr 20, 2023 — This month’s highlights include tributes to Jennifer Jason Leigh and Seijun Suzuki and a collection of Asian American films from the 1980s.
The Daily
Mar 17, 2022 — New restorations of the six films directed by the renowned actress will screen from coast to coast.
On the Channel
Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.
On the Channel
Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.
Sneak Peeks
Aug 28, 2019 — Over the course of their legendary thirty-five year creative partnership, director Yasujiro Ozu and screenwriter Kogo Noda together conceived twenty-seven films, many of them masterpieces. Their long, close collaboration—which produced such gently profound, internationally celebrated family portraits as Late Spring...
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.
Jun 27, 2017 — Alfred Hitchcock brings a spirit of cinematic ingenuity to a thin narrative, resulting in a flawed but fascinating film that contains one of the most virtuosic sequences in his filmography.
Essays
Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.