The Criterion Collection
Essays
Nov 22, 2011 — 12 Angry Men (1957), the first feature film directed by the legendary Sidney Lumet, is a Hollywood classic that, ironically, helped to define an era of filmmaking grounded in the gritty realism and frenetic energy of urban New York. A...
Mar 28, 2011 — Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.
Feb 1, 2022 — Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.
The Daily
Nov 5, 2021 — Kenneth Branagh and Philip Barantini lead the race for this year’s British Independent Film Awards.
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
The Daily
Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.