The Almost Man

Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.

Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.

Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.

Aug 28, 2012 — A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.

Jun 11, 2012 — Charlie Chaplin’s transcendent, visionary comedy is made up of one iconic moment after another.

Feb 14, 2012 — For nearly three decades, Hideo Gosha (1929–1992) made some of the most explosive, artful, and original films in Japanese cinema. Along the way, he also became one of his country’s most established and acclaimed filmmakers. But his reputation in the...

May 16, 2011 — Among the most enduringly popular motives for murder, in films as in life, is the desire to remove an impediment to happiness—to get somebody, once and for all, out of the way. In life, of course, the goal of freeing...

Aug 17, 2010 — In his defiantly maverick directing career, which yielded only ten features in thirty-five years, Maurice Pialat (1925–2003) was a stimulant and irritant, agitating the cozy pool of French cinema. His first effort, the lyrically bitter short essay film L’amour existe...

Aug 13, 2010 — The Docks of New York When John Grierson, the Scotsman whose absolute devotion to realism on film—he coined the word documentary and created the National Film Board of Canada—was asked how he’d enjoyed a screening of a now-lost Josef von Sternberg...