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Tell No One

Sep 26, 2017 The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Sep 21, 2017 The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 19, 2017 Last year, Dmitry Golotyuk and Antonina Derzhitskaya spoke with Jean-Luc Godard for the Russian publication Séance, and now Craig Keller has translated nine excerpts. The conversation evidently took place in Rolle, the modest town in Switzerland with a population of...

Sep 18, 2017 The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.

Sep 15, 2017 “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...

Sep 15, 2017 Our first order of business here is to catch up with an item or two you’ve most likely already heard enough about. But there’s no getting around at least a mention of the replacement of Colin Trevorrow as director of...

Sep 4, 2017 Alfred Hitchcock achieved Oscar-winning success with this psychological thriller, a tumultuous collaboration with producer David O. Selznick.

Aug 26, 2017 Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...

Aug 15, 2017 Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.

Aug 11, 2017 With his controversial new film Nocturama opening in theaters, French director Bertrand Bonello spoke with us about what inspires him as an artist and how he blurs the line between realism and abstraction.

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