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See You Up There

Working with Jack Davis

Criterion Designs

Jan 22, 2014 When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...

Nov 25, 2013 He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?

Nov 11, 2013 A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Feb 18, 2013 Performances Hiroshima mon amour (1959) is a groundbreaking portrait of a world come undone. Even more memorably, thanks to the brilliant precision of Emmanuelle Riva’s performance, it’s a study of a woman unraveling. In this first leading role in an...

Dec 12, 2012 Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.

Sep 4, 2012 Umberto D. is perhaps the most astringent film ever made about a poor old man and his dog. Critics today tend to like the astringent parts: the long, deliberately undramatic sequences full of mundane activity (such as a housemaid’s morning...

Aug 29, 2012 With humor and melancholy, Franc Roddam’s coming-of-age drama, based on the Who’s iconic album, shows us a g-g-generation on the edge.

Aug 28, 2012 The boy Quadrophenia’s Jimmy was based on (or was he?) talks to us about the mod life.

Aug 28, 2012 A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.

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