The Criterion Collection
Apr 25, 2023 — In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.
The Daily
Jan 6, 2023 — We’re catching up with a conversation with Tom Gunning, an essay on the nuclear threat, and appreciations of Jean-Louis Trintignant and Norma Shearer.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
The Daily
Sep 6, 2022 — Here’s an overview of how some of the contenders are faring with critics in Venice.
The Daily
Aug 10, 2022 — Selections range from award-winners in Cannes, Berlin, and Sundance to promising titles heading first to Venice and Toronto.
Feb 15, 2022 — Playful irreverence gives way to tragedy and transcendence in Leo McCarey’s 1939 masterwork, one of the defining romances of the Hollywood studio era.
Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.
The Daily
Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.